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Come Here...Look at This
An exhibition of work form Aurrida House, Orkney
15 February - 8 March 1997
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The
work in this exhibition has been made by children and
young people who find that Aurrida House, its staff and
activities, in some way plays an important role in their
lives
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| Keith
Buchan, Kerri Drever, Erland Bain Flett, Rhoda Halcro,
Helen Harvey, Liam Johnson, Erland Kelday, Craig Miller,
Jamie Ogg, Dana Seatter, Tom Spence, Henry Steadman, Greg
Stout, Lorna Tulloch. |
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| Aurrida
House logo designed by Keith - 28th September 1996 |
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Preface
by Neil Firth
The
work in this exhibition has been made by children and
young people who find that Aurrida House, its staff
and activities, in some way plays an important role
in their lives. This exhibition, and the continuing
creative opportunities at Aurrida House, highlights
the enjoyment that art offers in forming our view of
the world, and demonstrates the expressive democracy
that art allows each and every one of us.
Neil
Firth
Pier Arts Centre
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Introduction
by Sandy Budden and Clare Welsby
In
1994 the opportunity was made available to children
and young people who spend time at Aurrida House to
use a professional pottery studio. Their response to
this was phenomenal with an amazing amount of work,
full of energy being produced.
We
approached Elf Exploration UK plc and local craft businesses
to fund a continuation of the children's pottery projects
and were fortunate to receive a generous response. This
led to a widening of horizons and three young people
passing their Duke of Edinburgh bronze awards in pottery.
Meanwhile the enthusiasm and new found confidence of
the children had led on to other art projects, including
mosaic, painting, computer drawing, and linking with
Art Discovery, a community based arts project.
It
was now evident that we were going to have a growing
volume of work and the idea of an exhibition began to
be discussed. We felt that the children's work was worthy
of a professional venue, and so the Pier Arts Centre
was approached. The children responded to this with
their usual confidence and excitement and grasped very
quickly that this was now something very special.
Again
Elf Exploration UK plc were approached for funding and
generously agreed to be sole sponsors of the exhibition.
This gave us the freedom to concentrate on offering
the children opportunities to meet other artists, experiment
with different mediums, have art days, work in groups
and individually and to really enjoy and push out the
boundaries of their art. Every new opportunity saw the
scale and scope of the work being produced grow.
It
is important to stress that the exhibition is led and
owned by the children. It is their personalities, ideas,
enthusiasm and talent that makes it so exciting. they
have not ceased in their commitment over the fifteen
months that it has taken to bring this project to fruition.
Ultimately
the children have earned the respect of everyone that
has worked alongside them. They have proven that, given
the opportunities, they will rise to the challenge and
more importantly challenge us to think carefully about
imposing what are really our own limitations onto others.
We hope the children have been enrichedby this experience,
we certainly have been!
Sandy
Budden / Clare Welsby
20.12.1996
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Text
by Colin Johnstone
It
has been over six months since I was asked to help at
Aurrida House with an ongoing art project culminating
in an exhibition of young people's work at the Pier
Arts Centre.
I
was taken aback at the request, as my own work is not
educationally driven, nor is it generally accepted as
'mainstream'. Nevertheless, after getting over my initial
surprise, I willingly - somewhat nervously - agreed.
In
the following months I've been struck by the children's
quick acceptance of me and the confident contact we
made. Further, it was the acceptance, care and diligence
of their own artwork that gave meaning to the project.
I also came to appreciate, and understand a little better,
the invaluable carework undertaken by the staff at Aurrida
House.
Visual
art has become the most efficient and effective form
of communication in most societies; it is not the lowest
common denominator but a sincere and honest record of
what its creator noticed and considered important.
I
also discovered a truth: that monitoring a person's
performance on the basis of a simple reductive judgement
- that is on what one can not do - is a perverse denial
of creativity. It is also a historically dangerous philosophy
based on oppression of the weak by the strong. Many
still fail to recognise this.
What
is recognised by all involved in this project - parents,
staff and fellow artists - is that this exhibition encourages
a philosophy based on the aesthetic. It is a decent
and humane ethic and one which demands our attention.
Colin
Johnstone
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Our
Thanks To
Aurrida
House for having the confidence to let this
Exhibition happen.
The
Pier Arts Centre for seeing the potential in
our proposal.
Colin
Johnstone for responding so positively to the
work and ideas as they developed; contributing his skills
and time as well as designing this Exhibition Catalogue.
Frances
Pelly for her commitment and work towards the
sculpture project, especially on those early Sunday
mornings!
Elf
Exploration UK plc for recognising and supporting
our intentions.
Glaitness
Aurrida School for the link with Art Teachers:
Carol Harvey and Shona Firth, and the
opportunity for all the children and young people at
the school to be involved.
Firth
School for making a connection with Aurrida
House thorough our After School Club.
Richard
Welsby and Alistair Peebles for the catalogue
photography.
Ariene
Isbister: Art Discovery.
Elli
Pearson for her support in making the porcelain
clay pots.
Drew
Kennedy at The Orcadian for
photo mainpulation and layout.
The
making of this exhibition has heightened the expectations
of all those involved. We feel confident that 'Come
here...Look at This' will take on a life of its own
whilst in the gallery, continuing further afield, through
the exhibition catalogue.
We
hope these expectations will spread to a broader public
and lead on to further projects, this exhibition being
seen as the beginning of many ideas, rather than a culmination
of one.
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